APARTMENT LIFE

This apartment for professional business coach Ange and Bodie her dog, was one of a boutique development in Port Melbourne with original high quality interior fit-out by Hecker Guthrie. We were engaged to personalise the storage and joinery for Ange's needs and help furnish the space, plus provide a plantscaping package. Existing exposed concrete ceilings, white paint, concrete, marble and washed-out American oak timber joinery detailing provided a pleasing base palette to work from. To ensure cohesion we worked with this existing 'feminine industrial' material palette enhancing the original features rather than diluting them. We started with a kitchen joinery unit - made to fit onto the original kitchen, yet reading as a distinct form. This joinery storage and shelving had to straddle both the functional needs of the kitchen yet sit comfortably with dining room furniture. Built by Auld designs, the American oak veneer unit was carefully oiled with non-toxic Osmo oils. Locally crafted MadeMeasure leather cabinet tabs were perfectly toned in the space. We replaced the kitchen wall light with a handmade Anchor ceramics wall light in dove grey, to match the existing grey-blue range-hood. This we mounted on a timber plinth, adding extra timber detailing and casting the light right where it was needed in the work zone. 

The master bedroom was too small for anything else other than a queen bed and one bedside, and the resulting feeling was a 'bed in a box' with little visual interest around the bed. We solved this by removing one of the built-in wardrobes and installing a custom drawer unit and open shelving above. This little nook articulates the small space, creating an opportunity for display and the drawers provide more useful storage than cupboards. We designed a floating bedside table that maximised floor space and added a hanging bedside lamp from Anchor Ceramics on the other side to remove the need for a second bedside. A wall mounted shelf provided a platform for vertical interest. 

In the second bedroom (which triples as a study, a yoga room, and a guest bedroom) we removed a double door wardrobe and built a desk into the alcove, meaning the floor space could remain clear for yoga sessions and be easy to adapt with a fold out queen bed for guests. Allergic to waste as we are - we recycled all the removed cupboards and light fittings into another project.

Finally we sourced a few key decorative items and furnishings and supplied a comprehensive plantscaping package, choosing low maintenance house plants appropriate to each space's light levels and optimising the number of plants to the space for air purification. The outcome is a compact apartment yet rich in texture: simple, yet warm and calming. 

I met with the owner the other day and she told me that she had not bothered to make any holiday plans for the summer as she loved being in her home so much. In her words "The greenery in my space is gorgeous and has totally improved the feeling of my place....My home is a total sanctuary.. easy to live and work in, a total delight". 

All photographs by Emma Byrnes.

BUNGALOW UPCYCLE

We first visited this 1950's cream brick bungalow on a generous 800sqm block back in 2013 for a sustainable design consultation. At the time the house had an overwhelming list of issues to be resolved, it was in disrepair, dim, dated, and freezing in winter. Most confoundedly, in the 1970's, a self-contained granny-flat had been built only 4 metres from the back of the house. This addition made both buildings feel hemmed in and blocked the home's connection to the generous garden. With a south facing backyard, the home lacked in northern sunlight. To the owner's dismay, the design professionals they had met with so far had lumped it in the 'too hard' basket advising them to demolish both buildings and subdivide the block into townhouses. Such is the fate of many period homes on large parcels of land close to the CBD! The clients loved the deco style charm of the cream brick, and despite the unfortunate configuration, wanted to make the most of the considerable resources contained in two substantial and solid brick buildings with hardwood features.

Our design concept was to turn the problem on its head and make it the solution. We proposed that rather than demolishing the granny-flat and building an extension, we keep the entire footprint of both buildings and consolidate them to create one large, unified, ecologically sustainable home. This design was resourceful both materially and financially by drastically minimising the amount of new build required instead capitalising on the scope of the existing structures. We suggested an approach based on maintaining the charming original features of the principal building and upgrading the rear buildings interiors and thermal envelope extensively so that they read like new spaces. This project required a lot of imagination and a willingness of the owners to do something unconventional. To our delight, they embraced the idea wholeheartedly.

The buildings needed a total reconfiguration, refurbishment and thermally efficient retrofit. During this process, we were able to solve many diverse problems at once. We provided access to all day winter sun to daytime living areas, by placing them in the rear building. The design created a functional layout and abundant visual and physical connection to the garden. We collaborated with building designer Logan Shield to design structural upgrades to replace a substandard lean two passage currently connecting joining the main house and minor dwelling to function as a sitting room and sun trap. A new cathedral roof to the rear building allowed for the addition of north-facing clerestory windows. 

Vintage danish metal pendants were used in the kitchen along with led strip lighting under cabinets. Locally made lights were used by Giffin Design and Anna Charlesworth. Up/ down LED wall-lights were used throughout to allow for ceiling fans.

Creating a visual and practical connection from the residence to the rear garden was prioritised, sliding doors were added to the east courtyard and west decking- making the most of the generous productive gardens. The existing window openings were used to avoid the need for patching of exterior brick-work and the windows upgraded to high performance timber-framed double glazed models. West and south facing windows were reduced and north facing glazing increased. Flexible use of the spaces includes the potential work from home scenarios. Maximising the thermal efficiency of the buildings and upgrading to sustainable technologies involved rainwater tanks, photovoltaic systems and solar hot water. We updated the heating to two zoned efficient space heater systems and added ceiling fans. 

Designed in collaboration with Geometrica, an exceedingly simple timber clad structure formed the new sitting room that would slide in under the eaves and require minimal built alterations to integrate with the existing rooflines. This room opens onto outdoor living spaces to the east and west allowing the owners to follow all day sun and providing cooling ventilation. Early on we envisioned a space for reading and morning coffee and bobby coffee table and pampa rug from Pop and Scott made this space come together. 

The new living areas are separated from the rest of the home by a beautiful barn-style blackbutt timber door that was handmade onsite. Providing the heat zone separation, this also slides away when not in use, tucked neatly against the shelving like a feature wall panel.

The old granny flat is now unrecognisable- entirely transformed into a warm, light, open plan, living/dining and kitchen plus a new laundry/ mud/ drying room and second bathroom. We carefully selected classically appealing details that do not reproduce the mid-century period style but instead provide a contemporary interpretation of it, building a cohesive relationship between old and new. The existing Australian hardwood detailing (Blackbutt) was continued throughout the new spaces to minimise any jarring transitions. Door and window hardware is consistent in aged brass.

We sourced and repurposed salvaged timber railway lockers and fluted glass doors.  A combination of vintage and locally made custom furnishings was used to create a timeless mix of style and form - unified by quality and materiality.

The colour palette draws on earthy deep textures and colours reminiscent of the late mid-century period 1950-1970. A neutral base of white, charcoal, warm blacks and concrete is warmed up with varying shades of warm tones come from timber, terracotta, brass and treacle-coloured tiles. Accents in deep green provide contrast. Surface materials create textural interest, with the existing exterior brick creating a new internal wall, slim plantation timber lining boards to the cathedral ceiling, mosaic tiling, raw terracotta and recycled composite surfaces. We considered durability and practical function in each space with a place for everything and robust surfaces that will age well with use.

All photographs by Emma Byrnes

Digital Feature
Sanctuary Magazine - Granny Flat Upcycle

PRESTON HAPPY

Preston happy was completed in 2015 and was one of our few heroic-owner-builder jobs. When the clients came to us they had already gutted the back of the house and removed their kitchen. Then having the realisation it should probably not go back where it was and that they needed some help to design a new one! It's not our normal style to jump in at that stage of proceedings and churn out a design as quick as we can, as we are great believers in the value of methodical processes and slow design, however after meeting this lovely family and seeing the potential of this modest project we could not resist. This family of five were looking to make their living spaces more functional without adding any space only their originally sized bungalow, simplicity and resourcefulness were key to contain both the complexity and budget. In this case, the lean-to back of the house that often gets removed in favour of new large living areas, stayed. The kitchen we decided to tuck into where the laundry previously was, looking onto the back garden opened up to a dining and sitting.  New double glazed doors and windows in this area improved views and natural light. The kitchen footprint was tiny and complicated, with structural walls creating awkward alcoves, so we designed cabinetry that made sense of the space. Our main objective in the small 6m2 space was to make it user-friendly for a growing family. This was done by creating second workspace alcove in between the pantry and fridge where drinks and snacks could be prepared without having to get in the way of the person cooking or doing dishes. The sink was put in an oversized island bench, deep enough for kids to spread out homework or eat meals on one side while kitchen prep. Over head cupboards were taken to the ceiling provide extra storage space.  The kitchen was made in a low-cost materials, white laminate with plywood trims, and a small amount of hardwood feature shelving. Custom timber handles were made for the pantry to match, with matt textured japanese mosaic tiles for the splashback. Vintage metal pendant lights in yellow and blue were sourced on etsy and added some colour and fun to the kitchen and dining space. A softer shade of silvery blue in natural linen was used for thermally lined curtains. A hardwood built in seat was added to the end of the dining room with storage inside. The laundry was fitted into the hallway to the bathroom, again using storage to the ceiling and designed to have a curtain pull across the work-zone when not in use. The bathroom fixtures were kept in the same place to save money but it was completely transformed through new paint, tiles, toilet and tapware, and we sourced a lovely second-hand Australian hardwood hall table repurposed as a vanity. Inexpensive pool tiles were used in small quantities for the splash back. Vintage porcelain handles were sourced from etsy for the unit and a matching timber base created for a Volker haug wall light. New paint and window furnishings have created a supremely pretty and cheerful home to be in, not to big, not to fussy, just enough. 

And here is what the client had to say:
"It was great to work with Megan, who has such expertise in her field. She enabled us to simplify many of the decision-making considerations of the project. We are very happy with the final outcome. We love the freshness, the incorporation of natural materials, the colours and the beautiful details of recycled timber shelving in the kitchen (integrating it into the angled roof line and making a feature of it). The space is very functional and working really smoothly, especially the compact kitchen. Megan sourced a lovely piece of furniture for the bathroom vanity that adds such warmth to the space. The lighting is a real feature of the renovated spaces. Megan's suggestions have really enhanced the ambiance of the rooms."

All photographs by Emma Byrnes.

LOVELY LAURA PROJECT

Nestled in the back streets of Brunswick is this sweet single-fronted terrace. BNE were engaged to design a new kitchen for the home- with a brief to create a super-efficient kitchen-for-one - with a small dishwasher, no gas and a only a bar fridge supplemented with a cool store corner pantry.
At the centre of the home is a beautiful deep green music room that flows onto the galley-style kitchen. This music room is a serene, and classically elegant space, so the kitchen was designed to reflect the same refined and timeless quality in a lighter and softer way. 

Induction cooking was used to remove the house entirely from gas reliance. This allowed the meter to be removed and the owner to convert the house to 100% renewable energy via a solar system and 100% green power.  A full-size fridge was donated to charity and replaced with a small under-bench fridge. The exterior ventilated corner pantry rack houses many perishables that only need to be kept cool, not cold, such as vegetables, fruit, bread and eggs.

The cabinets were hand painted in water based paint - an important feature as they can be repainted instead of being replaced if the owner ever tires of green (never!). Un-lacquered copper cabinet handles and tap-ware were used for their natural microbial qualities.
Australian hardwood shelving was sealed with Osmo oils, and two formats of Japanese tiles were used to create the splashback. 

Photographs by Emma Byrnes.

NORTHCOTE RAMBLER

This grand old dame is an original Victorian mansion farm house that, once upon a time, sat on ten acres of Northcote farmland stretching down the hill to the Merri creek. Now she resides on a built up Northcote street and is the beautiful quirky home of a creative family - full of nooks and crannies, stairwells, attics, light-wells, alcoves and beautiful art and objects.  

The clients engaged Brave New Eco to help them create a Kitchen-to-Garden design, including a productive permaculture garden, as they wanted to feel more connected to their outdoors spaces. The Victorian design faced inwards on itself and lacked connection to the outdoors. Landscaping is underway and in the meantime the kitchen refurbishment has been completed. 

The country-style kitchen with a beautiful original cream AGA stove and big central table was charming and is the centre of the family life. Unfortunately the tired early 80's 'country style' kitchen had become totally dysfunctional for a family whose kitchen activities include sprouting, baking, socialising and working.
The family wanted "...to keep the essence of our country style kitchen but bring the look and functionality into the 21st century, to declutter and use space better, and to create more pantry space." They were keen not to just rip it all out and start again, but wanted to retain the overall atmosphere and make it functional for the task of family life for another 30 years. The home is full of diverse influences and the family's love of Japanese ceramics and objects was used as in influence to create a unique kitchen design - warm, inviting and full of deep earthy tones all with splashes of bright colour. 

The kitchen cabinetry was falling apart in places, cluttered and non- intuitive. A lack of pantry space meant food items were stacking up on every shelf and surface plus the old oven and range-hood were not keeping up with this family's' cooking habits.
However the existing cabinets and open shelving were good quality - made from Australian hardwood. So rather than throwing them away completely we decided to rejuvenate the shelving and cabinets. We removed and repainted the lower cabinets with a hand brushed Porters paint, allowing the texture of the woodgrain to show through. We removed fussy cornicing details and added Japanese-style slatted timber doors to create more pantry storage out of sight to the timber box shelving. We kept the old AGA as the centrepiece of the kitchen and added a new in-built steel steam oven and Smeg cooktop.  A new rangehood was concealed in a cabinet and new hardwood shelves run the length of the bench. We re-made the water-damaged cabinetry around the sink - adding waste-sorting systems, a recessed compost bin and integrating the dishwasher. A new pantry was added housing a bright grass green interior and handmade timber door-mounted shelves.  

An antique Japanese tea chest was found in which to keep stationary and all those bits and bobs. We upgraded all the lighting adding LED spot and strip lights and chose hand-glazed tiles, beautiful utilitarian aged brass tapware, and a big ceramic butlers sink. The result is a truly beautiful kitchen, that is integrated well in the style of the older building, but filled with the owners personalities and interests.  We have retained everything that was wonderful about the original kitchen, solved elements that were not working and added some more stories to the long narrative of the beautiful home. 

"We chose to work with Megan because of (her) aesthetic and principles around sustainability and resourcefulness. We wanted to keep the bones of our kitchen & use what we had but refresh and update the space. Megan was committed to using most things that still had life in them and did not pressure us to buy all new things. I like Megan's style of communication, she has a genuine interest in how we want to live, she listens and is persistent about finding solutions or products that suit the client" Ali - owner.

Photographs by Emma Byrnes.

peacock st project

This gorgeous home was completed at the end of 2015 and we have finally found the time to take some pictures.
The lovely young family who live here wanted to upgrade the efficiency of their Californian bungalow and create better spaces for family life. Central to our design approach is a philosophy that believes a home should be an authentic expression of it's inhabitants' values. We were guided by the clients' tastes and preference for classic early to mid 20th century style and design. The clients were trusting in our interpretation of this and a rich palette of burnt oranges, deep teal blues and soft greens was used.
The original house was poky, dark, lacked any visual connection to the garden and as avid gardeners, the clients were keen to open the home to the productive vegie gardens and northern sunlight.  The home had many wonderful, pre-existing art deco-style features however previous renovations had added poorly configured small rooms onto the back; resulting in a house that lacked natural light, felt closed in, and cost a fortune to heat in the winter. We sought to remove the sense of being enclosed by opening the whole house up internally through the centre. This was achieved by turning a small dark bedroom into a centralised study/play area that leads on to a new kitchen and dining. In collaboration with Geometrica building design we revised the layout and added a tiny 32m2 extension into which a new kitchen, walk-in pantry, bathroom, laundry and dining-room went. This area was opened up to a large outdoor deck and pergola to the north and made to feel wider and more expansive than it really was with a high pitched ceiling and a deep window seat running along the north side of the room.

We softened potential bottle necks in the kitchen by using a curved floating bench clad in recycled hardwood. The kitchen joinery was custom made out of recycled messmate timbers, EO laminate and oiled in natural oils. In contrast to the labyrinth of rooms one previously had to walk through to get outside, we sought to place the outdoor spaces as the focus, so that the building and the garden are mutually beneficial to one another. Taking a holistic view of the living envrionment, landscaping was resolved concurrently with the building design and interiors, and we used the renovation as an opportunity to resolve garden storage and neighbouring over-looking issues. In an Brave new eco home- any established tree is considered an asset and we configured the interior layout so that the huge mature gum tree deep in the back yard is visible as soon as the front door is opened. The kitchen is visible from nearly everywhere in the house so we hid the work spaces behind an island bench return. A cold-store walk in pantry large enough for a workbench and the fridge to go in was designed and in order to keep this room cool, a long ventilation pipe was run through the length of the slab and opened to the cool under-house air (air drawn in is cooled by the slab). A sliding door shuts this area off from the rest of the kitchen when it is not in use and keeps the busy mess out of sight. We refurbished vintage copper pendant lights for the kitchen and handmade Manuka honey-coloured tiles add a touch of warmth.

A new living room was created and a gas space heater installed to zone the heating into the highly insulated extension. Recycled deco double doors were used in the lounge room so it could be closed off when watching TV and a new sliding door with beautiful fluted glass was used to separate the extension from the original house (that includes the bedrooms and primary bathroom.)

The main original house was separated from the extension for the purpose of space heating. The main bathroom was also renovated, made larger by extending into the hall space. We recycled the existing bathtub and chose a soft pewter finish for the tap-ware to avoid the use of chrome. Hand made fish-scale tiles were chosen for over the bath and an art deco drinks trolley was repurposed as a bathroom vanity. 

As often happens on our larger renovations we establish a long standing relationship with the client and are therefore still adding furnishings to this project over time and as they are ready. We have recovered vintage chairs and had linen curtains, lamps and cushions made with custom printed fabrics from Ink and Spindle. Driven by the concept of finding items that the clients connect to on a personal level - we have sourced a second-hand Jardan couch, a vintage blackbean sideboard and artwork from various Australian artists. It gives us such pleasure to see our clients feel a sense of belonging in; being expressed by; and feeling connected to the story of creating their home. 

Photographs by Emma Byrnes.

brunswick east- colour pop!

This was a fun project for a creative family - taking an already renovated home and adding the finishing touches whilst resolving a few things that weren't working. We created a new section of kitchen floor-to-ceiling cabinets - replacing previous cabinets that were too deep to be functional and very heavy in the space, and integrating it into the existing fit out (we found a new home for the original ones too).  A beautiful nectre wood-burner was installed for the living room so that the central heating did not need to be used so much.
The house has been completely transformed through a complete lighting re-design. By adding carefully placed wall lights around the extensive art collection and fitting task spot lighting in the kitchen we made the whole house come alive at night and zoned each area's lighting needs. Vintage pendants and a new handmade pendant by Pop and Scott  were placed in each of the three living/dining spaces. Existing pendants were also rearranged.

New double glass doors were installed at the end of a dark hallway to open up the space, and the hallway painted a deep mandarin colour for warmth and a little punch of happiness every time you pass down it. We added beautiful new tiles, and rearranged the furniture, restored and recovered couches with durable eco wool fabric and had a recycled timber coffee table made to create a focal point in the room, and had custom rugs made for the hallways and living. This was a very happy project, with plenty of input from parents and kids - lots of playing with tiles, fabric and paint samples over cups of tea, and taking all the potential of an already lovely home and pulling it all together.
Here is what our happy clients said: "Megan's approach was incredibly sensible, thoughtful, creative and tuned in to the everyday bustle of a family home."

All photographs by Emma Byrnes.

renovate, retrofit, re-imagine: a permaculture approach to a suburban home renovation

Recently I have revisited the process I went through when we renovated our own home, in an article written for Australian permaculture magazine Pip - the Design issue. 
Eight years ago we bought a dilapidated 1940’s Californian bungalow in Melbourne’s inner northern suburbs. It was in a semi-derelict state and had a heritage overlay, flood level restrictions and a long narrow bloc. However the site was extremely special as it backed onto the Merri creek wildlife corridor. The real value for us was not in the bricks and mortar but in the proximity of the majestic, mature gum trees, running water and the deep buffer of native vegetation on either side of the creek, creating a peaceful sanctuary in an urban environment. We began the process of retrofitting and renovating the home by thinking of it as part of a permaculture system that would integrate the built, interior and biological environments and in turn create an urban existence for our family that allowed us to connect to nature and our local community on a daily basis. There are some key ways of thinking about design from a permaculture perspective based on the ethics and principles as defined by Bill Mollison and David Holmgren - and below I have outlined how I applied some of these principles in our process. 

OBSERVATION: As we designed the renovation it was important to observe the building over a full seasonal year by spending time on the site and noticing the patterns of the elements - sun, water, wind - in order to harness them for use in our home. 

CAPTURING ENERGY: All buildings have some potential for passive function that can be realised. In order to make the 1940’s weatherboard home thermally efficient we took the whole building apart piece-by-piece and back to its structural frames. We then wrapped it in insulation and put it all back together again, sealing every little gap as we went. The process has a sense of the loving act of mending the holes in your favourite coat. The extension was built on a suspended concrete slab that allowed us to introduce a thermal mass capacity into the home. We located new windows to open up the home to the winter sun, shade ourselves from the summer heat and to capture cooling breezes. We re-oriented the room layout so that all living areas faced north, flooding the spaces with natural light and allowing the winter sun to reach its long fingers inside. 

PATTERNS OF USE: By reconfiguring the layout of the existing home and extending it, we resolved the spatial design around patterns of use. This design solution creates healthy and resourceful living so that the home functions with the ‘path of least resistance’. Our common utility areas butt up against the social areas so that no one feels like they are in purgatory while doing washing in the laundry. When it’s raining, we can walk barefoot in the house under a clear roof off the deck to hang washing outside. Living in the new home our daily tasks and rituals are now performed in an ergonomic, logical and enjoyable fashion. The best ‘storage vessel’ for the heat and energy of the sun is the human body. Ideally we can wake up to the sun, eat breakfast with it streaming through the window and then relax at the end of the day while watching it set.

RESOURCEFULNESS: During the construction process, we sought to produce the minimum amount of waste possible by first looking at what we had around us, and making the most of existing and discarded materials. Demolished materials such as cabinetry and architectural features were collected and stored for reuse, resold, or collected for further recycling. We repaired or partially replaced what we could - salvaging undamaged weatherboards; collecting the old hardwood skirtings and architraves; and sourcing additional salvaged timbers, doors, and fixtures. We consistently placed value on the marginal - the little details and elements of a design that brought character and resourcefulness to our family home. Every cupboard handle, every window winder, every material junction is where you have the opportunity for the greatest change.

salvaged brass door handles and timber doors were used

TIME: The design process requires great consideration, testing and evolution over time. For every week we spent in design consideration the project continued to improve. This also allowed for a nuanced design solution in direct response to our community relationships and collaborations. Clear and honest communication between the whole team was so important to ensure we shared our vision and considered everyone’s concerns. This slow and evolving approach to design reprioritises the experience and connection between people over the goal of a rushed completion date. Our home has been allowed to beautifully ‘cure’ over time, retaining the potential for future adaptations . By using materials that are only fully realized when their natural patinas show up over time, it is then that our home starts to come alive. In our house, I try to choose special pieces that are worth keeping, appreciating the skill and materiality of highly-crafted objects that ultimately create heirlooms.

Secondhand light fitting and furnishings have been used throughout

BREVITY: I had to curb my enthusiasm for collecting stuff and taking up more space. Our cupboards were intentionally designed not to be too deep in order to avoid things disappearing into the dark zone of being too far away. We created one large central space that opened up to the same amount of outdoor decking. It has become a home where we can welcome our extended community, it can be used as a shared resource and has allowed us to host community groups and events. We also welcome help-exchangers and the neighbourhood children at spontaneous hours of the day. Our bedrooms and utility rooms are modestly sized and shaped for their intended use. Bathrooms and the laundry are long and thin to maximise wall space, access to light and minimise unnecessary circulation space. High loft beds in the kids bedrooms create more floor space for them to play. The hallway was made just wide enough to run a desk along its length and create an office area without dedicating a room to that purpose. The roof space has been lined and fitted out with pull down ladders to store seasonal gear. We also have cupboards that run to the ceilings above normal head height so desks and beds can fit underneath. These design outcomes maximize the use of our precious vertical space.

LIVING ON THE EDGE: Typically, the edges in nature contain the most dense diversity and activity and this includes human inhabited spaces. We paid special attention to articulating the spaces on the edge, from the outside to in, from public to private, from down to up. These transition spaces are where people interact the most with one another, and blurring these boundaries can create opportunities for dynamic relationships and communication. We removed any high fences from the front yard so we could talk to our neighbours and passers-by on the street whilst working in the garden. We created a small door in the back garden fence so that the younger children next door could come and go without needing to be walked along the street. Our delight never ceases when our littlest and most curious neighbours pop up in our garden and kitchen. We created a pergola structure to reach the boundary. It provides both summer shade to the north-facing windows but also houses a vertical recycled hardwood screen, creating some privacy and a vertical surface to grow grapes, berries and honeysuckles. Between the backyard and the creek we took down the tall paling fence and replaced it with a low open wire fence. This allows us to observe the creek beds' native vegetation and wildlife. Another two houses in the area have since followed suit, and now our chickens forage periodically on the creek-side saving us cutting back grasses and weeds and providing them (and us) an abundant source of food.

STACKING FUNCTION: We sought to integrate diverse design problems into one solution, maximising the use of the available space. We created play-nooks under the loft and in the fireplace alcoves (these will later become study nooks and book shelves when the kids get older). We use the laundry as an indoor drying room as well as a bulk-goods store. We have located our solar hot water tank inside an otherwise useless space at the top of the stairs so we can dry wet boots, make yogurt and maybe even hatch eggs in the warm cupboard. 

INTEGRATION: I sought out ‘responsive’ materials, finishes and furnishings, by selecting items with a tangible context that relate to the region or have a historical or emotional relationship to us. This enabled me to explore an authentic regional and personal design vernacular. Our home is lovingly filled with hand-me-downs from our family and objects that we have collected, made, salvaged, and found over the years. This means our home does not have a particular look, but is more an accidental collection of personally significant things, gently curated into a pleasing combination of usefulness and decoration.  

A YEILD:  Our home has produced outcomes far beyond aesthetic and economic results. We have fresh healthy food, happy children, meaningful friendships and connection with our community. There isn’t a person that worked on this house that didn’t speak warmly of their experience, despite having to carry everything in down steep muddy paths. We would sometimes stop work to gently relocate wildlife that kept moving into the building site, such as the little ring-tail possum found asleep in the middle of a cloud of bulky insulation one morning. The peripheral yields have been the learning received from and between everyone involved in the project, the guests we have hosted in our home and through the open days and tours I have run. Our home design has fundamentally changed the way we all live and contribute to the community. We thankfully get to live, work and go to school all within walking distance. We are very privileged to live here and to have access to abundant nature within the cultural amenities of the urban life. We experience diverse wildlife daily; we are visited by kookaburras, blue tongue lizards, tawny-frogmouths and the odd tiger snake.
This home has reiterated the importance of urban wild life corridors and shared productive space. We have an opportunity to re-design our suburbs in a context of neighbourhood scale resilience and autonomy, creating homes and landscapes that contribute to this end.

All photographs by Emma Byrnes